Competition

Ink & Clay 44

Exhibition Dates: 
August 22, 2019 to November 21, 2019
Location:
W. Keith & Janet Kellogg University Art Gallery
I&C 44 opening Aug. 22
I&C 44 opening Aug. 22

Established in 1971, Ink & Clay is an annual competition of printmaking, drawing, ceramic ware, clay sculpture, installation and mixed media utilizing any variety of “ink” or “clay” as a material. The exhibition is sponsored by the W. Keith and Janet Kellogg University Art Gallery of California State Polytechnic University, Pomona and is underwritten by the generosity of the late Col. James “Jim” H. Jones with additional support from the Office of the University President. This year’s jurors are: Susan Elizalde-Henson, Juri Koll and Kimiko Miyoshi.

Media/Eligibility

Ink & Clay is open to artists working in all 50 states, making this a nationwide competition. Artwork Submissions must have been completed within the last 3 years (2016-2019) and there are no size restrictions. Generally, any artwork utilizing any type of ink or clay, in whole, or in part, is acceptable. All artforms are encouraged for submission. Artworks must be original —giclee prints, reproductions or solely digitally-based prints are not eligible. Entries must have been created by the artist’s hand in some way, shape or form. Like past exhibitions, this year’s includes non-traditional media including installations, freestanding and hanging sculptures, mixed media, as well as the more traditional artforms. Unique among juried exhibitions, Ink & Clay is annually celebrated and recognized by artists and collectors for its quality and diversity.

Selections

Of 386 entries submitted this year, 119 were selected and received for exhibition. This is the largest number of entries, selections and participating artists in Ink & Clay’s history. The exhibition includes 113 artists from over 20 states across the U.S. Selections include works that have social, cultural and political content, as well as artworks using biomorphic and geometric abstraction, or representing nature in literal, conceptual and organic ways. The jurors worked very thoughtfully to select the artworks for this year’s exhibition. Utilizing their expertise, objective criteria and personal preferences to score the work, and primarily, based that decision on both technical skill and uniqueness or originality.

Awards

Cal Poly Pomona and the Kellogg University Art Gallery are pleased to offer $6,500 in cash awards this year. These include: the James H. Jones Memorial Purchase Award, generously sponsored by Mr. Bruce M. Jewett and the Col. Jones Ink & Clay Endowments; the University President’s Purchase Award, sponsored by the Office of the University President, Soraya Coley; as well as Jurors’ Choice and Curator’s Choice Purchase Awards. Additional awards include monetary Prize Awards and Honorable Mentions. The awards will be announced at the Artist’s Reception on September 7th at 4pm.

    Ink & Clay Jurors

    Two of this year’s esteemed jurors are arts professionals specialized in ceramics (clay), and printmaking/drawing (ink), respectively. The third juror, is a renowned curator, or curatorial expert, from within the arts or museums industry.

    Printmaking/Ink Juror, Kimiko Miyoshi

     

    miyoshi

    Kimiko Miyoshi’s printmaking experience began as a collaborative silkscreen printer in Japan. After receiving her MFA in Printmaking from University of New Mexico, Albuquerque, NM, she built scientific exhibitions for Explora Science Center, a children’s science museum, in Albuquerque, NM. The work had a great effect on her creative practice and observational habit. Miyoshi’s recent solo exhibitions include Connecting the Dots, Angles Ink (San Pedro),Merge, Mira Costa College (two persons, Oceanside), Works on Paper at Stonerose Gallery (Long Beach), Layered, Project 643 (two persons, Ventura), Serial Possibilities, La Sierra University (Riverside), and Pull Together, Southern Oregon University (Ashland, OR). She has participated in group exhibitions such as Print is Dead, Dakota Gallery, (Bellingham, WA), Air Water and Earth, Muckenthaler Cultural Center (Fullerton), Printmaker’s Hand IV, Northwind Arts Center (Port Townsend, WA), Breaking Illusions: Artist as Scientist, CGU (Claremont),Pacific State Biennial North American Printmaking Exhibition, Univ. of Hawai’i at Hilo, Five Woman Printmakers, JACCC (Los Angeles, CA), Currency, Turner National Print Competition(Chico, CA), Invisible Systems, Manhattan Beach Art Center, Print Ed, Limerick School of Art and Design (Ireland), Past, Present, Future, Silpakorn University (Thailand), and Mass Emergence, Angels Gate (San Pedro). Miyoshi teaches printmaking at CSU, Long Beach.

    Ceramics/Clay Juror, Susan Elizalde-Henson

     

    susan

    Susan Elizalde-Henson was born and raised in Southern California. She received a BA in Art History, a MA in Art, and a MFA in Art, with an emphasis in ceramics, from California State University, Fullerton. Graduate study also included coursework at the New York College of Ceramics at Alfred University in New York. She has been Artist-in-Residence at the Watershed Center for Ceramic Art in Maine and the International Museum of Ceramic Art in Denmark. She has served on artist selection panels for the City of Los Angeles, Cultural Affairs Department, Public Art Projects and has served on the Board of the Southern California Women’s Caucus for Art. Her work has been exhibited both nationally and internationally, and has been published in several books and periodicals including:Contemporary Chicana and Chicano Art; Triumph of our Communities: Four Decades of Mexican American Art; Chicano Art for Our Millennium; and Puro Muerto: Contemporary Images of Day of the Dead. She is currently Associate Faculty at Saddleback College Emeritus Institute, and Facilitator for Art and Creativity for Healing, Laguna Hills, California.

    Curatorial Juror, Juri Koll

     

    koll

    At an early age, Juri Koll actively sought out important artists as part of his studies and began exhibiting his work. After classical studies at UC San Diego, he received his BFA from the California Institute of the Arts in 1984. He has exhibited at Photo LA, Cameravision, Muzeumm, Temporary Space LA, LA Louver, California Institute of the Arts, UC San Diego, the Xenodrome in San Francisco, the Mike Kelley Gallery at Beyond Baroque Literary Art Center, Art Share LA, the Gabba Gallery, the Porch Gallery, the Torrance Art Museum and the Museum of Art and History in Lancaster, California among others. He has written about art for the New York Times, the Huff Post and other publications. Articles on his own work have appeared in the LA Times, and the Huff Post as well as others. He has taught buon fresco at the J. Paul Getty Villa, and has taught art at Brooks College and film at the Academy of Art University in San Francisco. He is a member of the Directors Guild of America. He has produced notable art world documentaries and worked with major museums and galleries, such as the Metropolitan Museum of Art, The National Gallery in Washington D.C., the Los Angeles County Museum of Art, and the Museum of Modern Art in San Francisco. His work appears in universities, galleries and museum collections including the Archives of American Art at the Smithsonian Institution in Washington D.C., the University of New Mexico Art Museum, Brown University, College of DuPage Library, Corvallis Public Library, McAlester College, and Trinity University. He is an Advisory Board member of Beyond Baroque Literary Arts Center and has lived and worked in Venice for thirty-five years and in 2018 opened the Institute’s first permanent galleries. As Founder/Director of the Venice Institute of Contemporary Art (ViCA) since 2011, Koll curates and presents traveling exhibits at museums in the U.S. and abroad, such art the Chabot Museum in Rotterdam, Netherlands and the Wilhelm Morgner Haus Museum in Germany, and the Long Beach Museum of Art, the Torrance Art Museum, and the Museum of Art and History in California. He is the Director of the Fine Arts Film Festival, which features films on the art world from across the globe and is in its sixth year.

    Exhibition Curator: 
     

     

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    August 22, 2019

    12:00 PM to 4:00 PM / 1121

    Established in 1971, Ink & Clay is an annual competition of printmaking, drawing, ceramic ware, clay sculpture, installation and mixed media utilizing any variety of “ink” or “clay” as a material. The exhibition is sponsored by the W. Keith and Janet Kellogg University Art Gallery of California State Polytechnic University, Pomona and is underwritten by the generosity of the late Col. James “Jim” H. Jones with additional support from the Office of the University President. This year’s jurors are: Susan Elizalde-Henson, Juri Koll and Kimiko Miyoshi.

    Starting in 2012, the Ink & Clay competition was opened to artists working throughout the US, making it a national competition. The exhibition is documented through an on-line printable catalog. Unique among juried exhibitions, Ink & Clay is annually celebrated and recognized by artists and collectors for its quality and diversity.

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